A New York Times best historical novel of the year, Victoria Mas’s The Mad Women’s Ball is a feminist literary thriller, adapted as a major film for Amazon Prime. “In this darkly delightful Gothic treasure, Mas explores grief, trauma, and sisterhood behind the walls of Paris’s infamous Salpêtrière hospital.” —Paula Hawkins, #1 New York Times bestselling author of The Girl on th...(展开全部)

That Mad Ache , set in high-society Paris in the mid-1960’s, recounts the emotional battle unleashed in the heart of Lucile, a sensitive but rootless young woman who finds herself caught between her carefree, tranquil love for 50-year-old Charles, a gentle, reflective, and well-off businessman, and her sudden wild passion for 30-year-old Antoine, a hot-blooded, impulsive, and s...(展开全部)

That Mad Ache , set in high-society Paris in the mid-1960’s, recounts the emotional battle unleashed in the heart of Lucile, a sensitive but rootless young woman who finds herself caught between her carefree, tranquil love for 50-year-old Charles, a gentle, reflective, and well-off businessman, and her sudden wild passion for 30-year-old Antoine, a hot-blooded, impulsive, and s...(展开全部)

In the year 2018, it seems as if women’s anger has suddenly erupted into the public conversation. But long before Pantsuit Nation, before the Women’s March, and before the #MeToo movement, women’s anger was not only politically catalytic—but politically problematic. The story of female fury and its cultural significance demonstrates the long history of bitter resentment that ha...(展开全部)

作者 丽贝卡·特雷斯特（Rebecca Traister），新闻记者，《纽约时报》畅销书作家，《纽约客》撰稿人，美国杂志界最高奖项国家杂志奖、《纽约时报》十大好书、《华盛顿邮报》十大好书获得者。始终以女性主义视角关注政治、媒体和文娱领域中的女性，曾遭遇过韦恩斯坦的谩骂。著有《我的孤单，我的自我：单身女性的时代》《女孩别哭》。现与家人住在纽约。 译者 成思，东南大学外国语学院副教授，翻译学博士。译有《剑桥美国史》。

作者 丽贝卡·特雷斯特（Rebecca Traister），新闻记者，《纽约时报》畅销书作家，《纽约客》撰稿人，美国杂志界最高奖项国家杂志奖、《纽约时报》十大好书、《华盛顿邮报》十大好书获得者。始终以女性主义视角关注政治、媒体和文娱领域中的女性，曾遭遇过韦恩斯坦的谩骂。著有《我的孤单，我的自我：单身女性的时代》《女孩别哭》。现与家人住在纽约。 译者 成思，东南大学外国语学院副教授，翻译学博士。译有《剑桥美国史》。

作者 丽贝卡·特雷斯特（Rebecca Traister），新闻记者，《纽约时报》畅销书作家，《纽约客》撰稿人，美国杂志界最高奖项国家杂志奖、《纽约时报》十大好书、《华盛顿邮报》十大好书获得者。始终以女性主义视角关注政治、媒体和文娱领域中的女性，曾遭遇过韦恩斯坦的谩骂。著有《我的孤单，我的自我：单身女性的时代》《女孩别哭》。现与家人住在纽约。 译者 成思，东南大学外国语学院副教授，翻译学博士。译有《剑桥美国史》。

作者 丽贝卡·特雷斯特（Rebecca Traister），新闻记者，《纽约时报》畅销书作家，《纽约客》撰稿人，美国杂志界最高奖项国家杂志奖、《纽约时报》十大好书、《华盛顿邮报》十大好书获得者。始终以女性主义视角关注政治、媒体和文娱领域中的女性，曾遭遇过韦恩斯坦的谩骂。著有《我的孤单，我的自我：单身女性的时代》《女孩别哭》。现与家人住在纽约。 译者 成思，东南大学外国语学院副教授，翻译学博士。译有《剑桥美国史》。

In the year 2018, it seems as if women’s anger has suddenly erupted into the public conversation. But long before Pantsuit Nation, before the Women’s March, and before the #MeToo movement, women’s anger was not only politically catalytic—but politically problematic. The story of female fury and its cultural significance demonstrates the long history of bitter resentment that ha...(展开全部)

Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it. Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t writte...(展开全部)